Ray A. Young Bear



The Language of Weather


The summer rain isn't here yet,
but I hear and see the approaching
shadow of its initial messenger:
Thunder.
The earth's bright horizon
sends a final sunbeam directly
toward me, skimming across the tops
of clouds and hilly woodland.
All in one moment, in spite
of my austerity, everything
is aligned: part land, part cloud,
part sky, part sun and part self.
I am the only one to witness
this renascence.
Before darkness replaces the light
in my eyes, I meditate briefly
on the absence of religious
importunity, no acknowledgement
whatsoever for the Factors
which make my existence possible.
My parents, who are hurrying
to overturn the reddish-brown dirt
around the potato plants, begin to talk
above the rumbling din.
"Their mouths are opening.
See that everyone in the household
releases parts of ourselves
to our Grandfathers."
While raindrops begin to cool
my face and arms, lightning
breaks a faraway cottonwood
in half; small clouds of red
garden dust are kicked into
the frantic air by grasshoppers
in retreat.
I think of the time I stood
on this same spot years ago,
but it was under moonlight,
and I was watching this beautiful
electrical force dance above
another valley.
In the daylight distance,
a stray spirit whose guise
is a Whirlwind, spins and attempts
to communicate from its ethereal
loneliness.


Ray A. Young Bear, The Invisible Musician, Holy Cow! Press, 1996.